Choose your route. Check the result at each gate. If something needs work, follow the revision loop before continuing.
All three routes begin with a premise and a format choice. Develop those in Lesson 02: The creative process, then use a four-beat short for the core assignment or expand the outline for an optional longer story. The plan-and-present route completes the core assignment with a browser, notes, and sketches. The editor and code routes are optional extensions using your own materials and tools.
Choose a pathway
Select a route to see its flowchart. Rectangles are tasks; diamonds are review gates. Follow Pass downward or Revise around the loop. On a narrow screen, scroll the chart sideways or open it full-size. The written steps below each chart provide the same route in reading order.
What counts as passing?
A gate is a short review of the work in front of you. Write down evidence—a reading time, a viewer’s explanation, or a change you checked—before moving on.
G1 · Story
The idea is understandable
Pass when: a reader can explain the setup and payoff, the format fits the audience and amount of story, every speaker is identified, and each beat or scene adds something.
Revise: unclear premise, missing cause, or an ending that introduces a different idea. Rewrite the affected beats and read the whole script again.
Pass when: a viewer can describe what changed for the character, the actual presentation or export is readable and audible, and the required credits accompany it.
Revise: anything the final review reveals. Find the earliest affected stage below, repeat its checks, and review a fresh version.
Fix the source of the problem, then repeat the checks affected by that change. A passed gate can reopen when its inputs change.
The story or ending is confusing
Return to G1 and revise the premise or spoken beats. Recheck the matching voices and pictures at G2, update timings at G3, then review the new version at G4.
A spoken line changes or gets longer
Check the revised words at G1 and delivery at G2. Measure the new duration, move later pictures and captions at G3, and replay the whole sequence at G4. For example, a line that grows from four to six seconds moves later starts two seconds later unless you deliberately shorten another beat.
An illustration, crop, or character looks wrong
Return to G2 and repair or replace the picture. Check caption placement and any movement through the crop at G3. Review the actual presentation or export at G4. Reopen G1 only if the pictured action changes the story.
Music covers a word
Lower or remove the music at G2, then listen again at an ordinary volume. If the speech timing stays the same, you do not need to retime the whole story. Review the affected transition at G3 and the final mix at G4.
Captions drift or the sequence has gaps
Return to G3. Compare caption cues and shot boundaries with the actual reading or audio. Recalculate later starts when durations change, then make a fresh preview for G4.
The preview is fine but the export is broken
For an editor or code route, check missing media, crop, sound, frame rate, and caption timing in the exported file. Repair the relevant material at G2 or assembly at G3, export again, and repeat G4 on that file.
A credit is missing
Complete the source and attribution information at G4 and review it with the work you will share. If you replace the music or another asset, also reopen G2 and check any resulting timing changes at G3.
Keep a revision note
Record: what failed, what you changed, which gates you repeated, and what evidence now shows a pass. If you review alone, replay after a break without adding spoken explanations; a fresh viewer can still reveal things you missed.